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If it disappoints – by, say, all that technology smothering, rather than enhancing, their story of long-ago Vancouver – it will be a significant letdown, given the giddy anticipation that has been building since Helen Lawrence was first announced in 2012. Five years in the making, their ambitious new work could be a game-changing one, opening up dramatic possibilities and setting a new bar for experimental theatre.
FOOTLIGHT THEATRE COMPANY VANCOUVER MOVIE
Their joint creation: Helen Lawrence, a pioneering stage production, set in 1948 Vancouver, in which the audience is meant to feel like they're both at the theatre and in a movie house.īy way of a cutting-edge trip to the past, Douglas and Haddock are charting a course from the footlights of Vancouver's Stanley Industrial Alliance Stage to a new multimedia future. Literally out of their elements, award-winning visual artist Stan Douglas (known for his photography, film and video) and Chris Haddock (the brains behind CBC's Da Vinci's Inquest and Intelligence, and a writer on HBO's Boardwalk Empire) are traversing not only genres but eras.
FOOTLIGHT THEATRE COMPANY VANCOUVER TV
Fox Theatre in Burnaby.Their work normally hangs on gallery walls – or flickers across TV screens. The Wizard of Ox starts tonight at the Michael J. We have a big thing about staying grounded too." When she's not working she can focus and do a ton of work. Things like letting her withdraw from normal school, that was a tough decision but we realized afterwards it was for the best. We are performers as well and we don't keep normal hours and we are willing to change things up for her. "It's good, but most people wouldn't call it very conventional. "We never really had a normal family life," says Monique. They saw her production so it wasn't a huge risk to for them to feel confidence in what she can do."īeing an entertainer isn't almost the most conventional of childhoods, the Crebers say. "She wanted someone younger but was prepared to go a little bit older because of the acting requirements. It's that easy."Ĭreber's mother Monique says director Albania Lindbergh Streak had worked with Michelle before and it wasn't a huge leap of faith to put her in the lead. I don't get worried or show sick beforehand. I'm really sure this is going to be a great show. People who might have seen Footlight a few years ago might not know how much we've improved."Ĭreber, who was a singer at two and an actor at four, and has also played in classics like Annie and The Sound of Music, said headlining a show is a pleasure not a pressure.
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Our sets are fantastic, our cast and crew are amazing. Ticket sales and production values are great. "Every year Footlight's production gets bigger and bigger and this is our biggest show yet. Theatre-goers can expect "a heck of lot of fun." she says. So it's a dream, but what does it mean? We've been doing character studies, tons of stuff like that." People don't really think about the characters.
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So we're trying to get good chunks of the movie while trying to get deeper into the characters. "The show is very iconic and people expect it to be like the movie. That's what the original book was based on."įootlight's production is very deliberately based on the classic 1939 Judy Garland film version, and Creber has studied it extensively. The whole storyline makes so much more sense. "Not just because they cast me," says Creber, "but I think in general Dorothy should be played by a girl about eight to 12. That's why Footlight Theatre didn't hesitate in casting the Horseshoe Bay resident as Dorothy in its upcoming presentation of The Wizard of Oz. She's worked in scores of films, TV shows, animated features and stage productions. Fields never got to meet Michelle Creber.Īt 12 years of age, Creber has a resume in film, television, voice-over, dance, singing and theatre that someone would be proud of at twice, three times her age. Fields once famously remarked: "Never work with children or animals." Footlight Theatre Company presents a musical adaptation of the 1939 classic at the Michael J.